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  • davidwills 11:19 am on April 15, 2020 Permalink | Reply  

    Oldie and Goldy 

  • davidwills 2:05 pm on April 14, 2020 Permalink | Reply  


    Lots of folk in Oz are reading – leave me a note to say hi.

  • davidwills 9:23 pm on December 11, 2015 Permalink | Reply  

    Hi ya all. I get about 18 or so visitors a day, and I’d really like to know who’s out there.
    So please leave a note to say why you are here, who you are, and what you thought of the blog, what you’d like to see… etc.

    • Zara's Auntie-Shag 7:19 pm on September 15, 2016 Permalink | Reply

      Miss Shag O’Mania here – Molly Bode’s best friend – friend of one of your “Three Davids” on Facebook – doin’ nuttin’ more than stopping by to say hello and state it was a HAIRCUT. bruddah. Harumph, Austin Powers, mumble mumble…bah!
      Actually, I’d like to be in touch with your daughter. Molly says she wears vintage clothes and I have some great pieces I’m looking to give to the right gal…

    • Giulia Cavagnis 1:58 pm on February 27, 2017 Permalink | Reply

      Hello David,
      I am doing some research and I found an article of yours dated 2011 quite interesting and would like to discuss it with you privately.
      Please send me an email!
      Thank you,

      • davidwills 1:25 am on August 22, 2019 Permalink | Reply

        Hi I just found you note, I haven’t been on my weblog for six years or so. I’d be pleased to help, but you give no address.

    • Kayla 6:34 pm on September 21, 2018 Permalink | Reply

      Hello, I am trying to find more information on Colin Fulcher’s parents and family. We may be distantly related. Do you happen to have any more details on his family? Thank you.

      • davidwills 1:15 am on August 22, 2019 Permalink | Reply

        Hi, yes, his sister lives (or did) in Whitton(sp?) at 76 Tranmere Road in what was Middlesex.

    • peterwatts1975 10:11 am on September 24, 2018 Permalink | Reply

      Hi David – I’m a freelance music writer and I’m trying to track down somebody who has commented on one of your threads – can you possibly send me an email to petershepherwatts at hotmail . com ? thanks a million!

  • davidwills 3:45 am on August 7, 2014 Permalink | Reply  

    Eel Pie Island 

    David Wills tells tales


    Kursaal Flyers cover by Barney  Bubble

    RandM writes in comments below…

    here perhaps is a barney bubbles sleeve that Colonel (he was a Corporal) Wills would have liked. it’s for the Kursaal Flyers LP ‘Chocs Away.’

    Corporal Wills

    Stodgy old dudes

    My dad, Cecil S Wills 1905-76, is seen here as a Corporal in the Royal Air Force. He worked on the design of, and later named, the Horsa Glider, that each delivered 36 paratroops at a time, in fleets towed by Wellingtons, during the Normandy invasion. As a Civil Servant, representing His or Her Majesty to the manufacturers, he later worked on the supersonic TSR2 that evolved into the Concorde.

    When Osmund Caine, who replaced Coulston-Davis as head of the art school, and the new principal, Wolfenden, who was my dad’s teacher during his RAF Boys Service days at Martlesham Heath in the 1920’s, arrived at Twickenham College in 1958, they…

    View original post 924 more words

    • Garry Rusoff 5:42 pm on October 9, 2015 Permalink | Reply

      David, I’m trying to get hold of you in the vacuum of digitalia. The reason is that I rewrote “The Gourmet Guide to Grass for this generation — to be self-published–and I’d dearly love to include your two drawings of ‘How to roll a joint’ and ‘How to roll a spliff.” Do I have your permission???

      • davidwills 9:28 pm on December 11, 2015 Permalink | Reply

        Hi Garry, what’s up ? Please get in touch. I cant find my address book….

    • davidwills 8:17 pm on October 9, 2015 Permalink | Reply

      Yes! So glad we touched bases, been trying to find you for yonks. You’re in deep cover. Let’s chat. My email is but most of my mail goes to spam. You on Facebook? I do that a lot. My address is 327 1st Street West, Sonoma, Ca 95476. 415 608 4396

    • Benno Friedman 7:25 am on October 15, 2015 Permalink | Reply

      Just read “Just Kids” (yes, very late to the party) and after 45 years or so, came across Sandy Daley’s name. Followed slim thread leading me to you. Any idea what became of her/.how I might get in touch? Is she still among the living? I stayed in her flat in London for several weeks, hanging with J. Chamberlain, Ultra V, Kikan M., D. Larcher, Mr. Chows etc. I’d welcome any leads/info you might ‘provide.

      • davidwills 9:27 pm on December 11, 2015 Permalink | Reply

        No idea, I’m sorry – I tried to find out m’self but no go.

      • Robert Priest 3:27 am on January 19, 2016 Permalink | Reply

        I’m out here David. Robert Priest of New York City. Big fan of last year’s post from Benno Friedman. The genius who photographed Jackson Pollock’s Mother for Push Pin’s Graphic. Brilliant. Anyway, thank you for my career.

        • davidwills 5:45 am on January 19, 2016 Permalink

          Wow I’m pleased you did good. I’ve had a few thanks for help on the road. Lady Wordsworth for one, she worked with me on Curious and elsewhere.

          What was the post about Benno Friedman in – my blog, I sure don’t remember! Tell me.

          You were AD on Esquire when I last caught up with you. Tell your tale.

          In 67 I was at Push Pin and Milton Glasser gave me a hand written letter of introduction to NY but went back to London to be AD on some big ol glossy I can’t recall the name of.

          Let’s exchange stories!

    • davidwills 6:14 am on January 19, 2016 Permalink | Reply

      Ah I see Benno’s coment above. Ha.

      Do you know the whereabouts of Sandy Daley by any chance?

  • davidwills 6:38 pm on January 1, 2014 Permalink | Reply
    Tags: 4000 Weeks Holiday, Album Art, , , , , Bob Bromide, , Definitive Biography, , , , , ,   

    Barney Bubbles – Ian Dury, 4000 Weeks Holiday 

    Barney Bubbles orginal (almost) design for Ian Dury's '4000 Weeks Holiday': Front

    Barney Bubbles original design for Ian Dury’s ‘4000 Weeks Holiday’: Front (photo on cover by Bob Bromide)

    Barney Bubbles original (almost) design for Ian Dury's '4000 Weeks Holiday': Back

    Barney Bubbles original design (almost) for Ian Dury’s ‘4000 Weeks Holiday’: Back

    Hello New Yearers, Happy New Year! To kick off this season’s delights, here’s a little-seen item from the repertoire of my old friend Barney Bubbles.

    Late 1983 Barney designed a cover for Ian Dury’s ‘4000 Weeks Holiday’ LP, only for it to never really see the light of day. I say ‘never really’, because nearly everywhere across the world a different artwork solution was used, but Barney’s original design did make it onto the cover of the Portuguese issue (amongst a tiny handful of other seemingly random places I am reliably informed). Check out the pics above. The photo that Barney used on the front cover is by Bob Bromide.

    My English friends RandM (Barney boffins of extraordinary detailedness) are quick to point out that even the Portuguese version is not totally true to Barney’s original artwork; apparently only a copy of the original UK test pressing complete with test sleeve is. Why so? By the time the LP came out to the public (after Barney’s tragic demise), the record company changed the tracklist by removing ‘Noddy Harris’ and adding ‘Inspiration’, and so the record company had dutifully tweaked the design of the tracklist accordingly. But, this Portuguese issue is pretty darn close to Barney’s original design, so here it is goddamit!

    Pondering why the tracklist changed? The company execs feared the legal ramifications of upsetting Enid Blyton’s estate with the ‘Noddy Harris’ lyrics “Winnie The Pooh is having a wank. And what are you up to? Said Thomas the Tank…Fuck off Noddy you stupid prat. Fuck off Noddy in your rotten hat”.

    Keep smiling and see you all again later for more tales of daring-do.

  • davidwills 10:12 pm on November 30, 2013 Permalink | Reply
    Tags: ,   

    Sir Paul, brushed by David Wills 

    Sir Paul McCartney by David Wills

    I pencilled and brushed McCartney with water colour last year and thought the result worth posting now, since I’ve already upped the graphic by Rebecca and Mike’s for his latest album, NEW, with with its puter-magic gas tubes for all to see.

  • davidwills 7:58 pm on November 30, 2013 Permalink | Reply
    Tags: Ben Ib, , Rebecca and Mike   

    My friends Rebecca and Mike who live in England and work in all sorts of spaces, create entertaining sights to surprise us all with their magic ability to amuse and delight – and at the same time tell an abstract truth about our world. They dreamed up the catch-me-quick vision for Paul McCartney’s latest album, NEW: A brilliant light logotype set in glowing tubes of gas. Ably CGI’d by boffin Ben Ib.

    Talking about the album, Paul said: “It’s funny, when I play people the album they’re surprised it’s me. A lot of the tracks are quite varied and not necessarily in a style you’d recognise as mine. I didn’t want it to all sound the same. I really enjoyed making this album. It’s always great to get a chance to get into the studio with a bunch of new songs and I was lucky to work with some very cool producers. We had a lot of fun.”

    Paul Mc.Cartney NEW album cover

  • davidwills 4:52 pm on November 26, 2013 Permalink | Reply
    Tags: Arnie Lazarus, , Doug McKechnie, Golden Gate Bridge, , Street Lightning Gang   

    History of the Big Boing: recording the sound of the Golden Gate Bridge.
    Firstly, this happened over 35 years ago, all the participants have differing memories of the event and future posts will correct the story as it is added to.

    There’s quite a story here. I first saw the Golden Gate Bridge in 69 and thought it to be a big harp. Little did I know that when the Bridge was built so did others, that a poem, accessible on line, was written about it.

    In 1975 Dianne Rappaport, formerly Bill Graham’s ‘quiet music’ manager and I published ‘Music Works’, a manual for musicians, I drew the cover and all the ads, with a theme of Venusians landing and taking over the music biz. The cover showed a Venusian playing the Golden Gate Bridge as a harp and I said to Dianne how cool it would be to actually do it. Dianne asked her new husband, Walter Rappapport, who is a sound engineer, how that could be done. He said “The Frap!” – Arnie Lazarus’s amazing pick up, able to record everything from a pin drop, to a piano, to a cable hit by hammer on the Golden Gate Bridge.

    Then Dianne called Michael Phillips, a former bank manager and writer for the Whole Earth Catalog, who arranged for us all to go out and hit the bridge. We were the people seen in the photographs, me, Brandon Jaide, Molly, Arnie and, not seen here, Walter Rappaport, the bass saxophone player, and Michael Phillips.

    Walter, who was the recording engineer on the first trip (we went out a second time too – more on that later) says all we were able to record well was, not the cables, but the big main suspension cable and the lampposts, though I recall it differently. It was after dark, we crept out after hours when the bridge was closed, but were seen by passing truckers who reported us as a mass suicide and a cop came out to shepherd us off the Bridge. (Walter does not recall the cop sequence.)

    So after that, Michael found out we could hire a cop and go out and perform our art adventure legally for $15 an hour. The second time we went out Walter could not be there, so the person called Doug Makechnie brought his tape recorder and recorded the bonks and boings of us all hitting the cables to find the best tone. ( I think this is the time when the photographs were taken). Arnie and I had brought a selection of various rubber, metal and wooden hammers.

    We found one cable that was especially taught and had a clear, deeply somnolent sound, like something a volcano under water would make. Boiiinnnggg, with a reverberation that did not stop.

    Unfortunately Doug talked incessantly over all the sounds, except when I told him to shut up and I hit one mammoth bonk with a wooden mallet. It lasts about 3-minutes. Arnie had a copy of Doug’s original recording and later gave me a copy of it. But Doug kept the original, and wouldn’t give me a copy. Doug proceeded to go out again to the Bridge and, I think, make further recordings, anyway he co-opted the idea and used the sounds without telling us, went on to publicize the recording as his idea throughout the eighties and nineties and later claimed to not recall our gang’s involvement at all.

    In 1987, Faye Schoolcraft, the eminent sculptor now working in Los Angeles, sampled the sound of the bridge I had had made, and recorded a beautiful piece of music based on Begin The Beguin. We tried to play it at a press party when Doug  showed off ‘his’ noise, but he wouldn’t let us use his audio equipment.

    Arnie Lazarus, the inventor of the Frap recorder, was furious about Doug Makechnie’s appropriation of our artwork and will have nothing to do with him to this day, but eventually I contacted Doug Makechnie and he grudgingly acknowledged my inspiration and published a small reproduction of the original cover of Music Works in his blurb, but as I said, he says he doesn’t recall the whole amazing adventure as it happenend. Us artist folk never forgive other’s appropriating our ideas…

    As I say, it’s quite possible that the other people involved in this escapade will recall it differently. I do hope they post their corrections. This all happened over 35 years ago – so we can be all excused having varying memories of the event.

    One thing I didn’t mention was that this whole adventure was a secret production of the Street Lightning Gang (SLG), of which Molly is the President. The SLG survives in various forms, as a tattoo of the sunrise lightning bolt symbol of the SLG on daughter Alessandra’s neck, and in sales of the SLG World Free Transport System of stencils which when applied to any building convert it to a Teleport and ‘Get you where you want to go in your own time’. This slogan was used by the Greatful Dead in one of their songs.

  • davidwills 2:36 pm on October 10, 2013 Permalink | Reply
    Tags: , , Druid Heights, Mark Bode, , Mural, San Francisco Murals   

    Allan Watts library hidden in Druid Heights in Muir Woods State park: The Mural at 210 Clayton 

    210 claytond

    My daughter, Alessandra (she painted the butterfly), and I painted this mural in 2010 on Clayton at Hayes in San Fransisco.

    It shows the valley in the Muir Woods State park called Frank Valley and is where the 1950’s, and beyond, the un-deliberate community of Druid Heights, with Allan Watts Library, is hidden.

    Druid Heights was in the news when Michael Toinoven and a cabal of interested folk, including old friends and nabes of Roger Sommers the builder, cajoled the local rags, including the SF Chronicle to feature a ‘Where Is the Druid Heights Mystery?’ reporting an effort in The US Congress to declare Druid Heights a National Treasure.

    The mural is 39-feet tall and similarly wide – it extends unseen down a narrow side alley.

    It features a male Snowy Egret in breeding season, in full and improbable flap – wings up like that usualy indicate take-off and should feature a strenuous forward tilt of the body with legs dangling. Looks graphic like this though. Down the side alley is a stretched out version (with more probable wings) to allow for the effects of perspective. I used a Sharp copier, and by moving the original photograph got the stretched-out version as artist’s reference for the painting.

    The scene is looking down Frank Valley near Mount Tam in Marin County, with Muir Woods off picture at right. Hidden amongst the trees of the scene is the site of a ‘un-deliberate community’, a 50’s era and beyond community of what was called ‘Druid Heights’ from about 1952 to 1973 when one of the founders, Allan Watts died. This is where I lived in 1973-4.

    I was a room-mate there with Margo St.James, she of the famed SF Hooker’s Balls (that I named) and was an amateur event director from 1973 to 79. I designed many of the posters.

    Molly Bode, former Belarus Dancer, now manager and wife of the eminent artist, Mark Bode, also worked for St.James as Secretary to Her Majesty.

    Druid Heights was the compound of homes, shacks and shanties cleverly concealed from the building inspectors, built by an owner, Roger Sommers and his sometine partner, Ed Stiles (who would be nameless by preference) a high-class joiner and inventor, Together they had built a number of interesting buildings, including Allan Watts’ library, housed in a water butt, and the Goat House, built in 1967. The Goat House was the inspiration for the Tiny Homes movement. (Although not recognized as such by Lloyd Kahn leader of that movement and author of many small and tiny homes books.)

    The Goat House was the original ‘Tiny Home’ – the original, the Ur Tiny Home of the Tiny Home Movement. Designed by Sommers, who had studied with Frank Lloyd Wright, the Goat House was less tham 150 square feet. It had a pot bellied stove and running water piped up from the stream below. It was intended to inspire folk to build their own, The results can be seen in the Hippie Shack built on the side of a Bolinas cliff in ‘Home Work’ by Lloyd Kahn, Shelter. The Goat House was in the garden of the eminent lesbian poet, Elsa Gidlow, who was the producer on KPFA of Allan Watts’ radio talkathons on the subject of a loosely interpreted Budhism. The Goat House was where I first lived at Druid Heights, later I moved up to the Big House and other structures. Boy, those were the days…

    For copies of the books ‘Tiny Homes on The Move’, 2013, ‘Tiny Homes’, 2012, ‘Builders’, 2010, or ‘Home Work’, 2008 all by Lloyd Kahn, Shelter; email: ShelterPublications,com and get more than 2000 pictures in color on 360 pages of glossy wit for about thirty bucks a book.

  • davidwills 2:14 am on October 7, 2013 Permalink | Reply
    Tags: Admiralty Arch Gates, , Boscombe Down, CSWillsBSc, Ministry of Supply, Science Museum, Transistor   

    Admiralty Arch Gates 

    I was eight in 1950, used to visit Lunnon from Amesbury wiv me dad when he worked up at Boscombe Down experimental aerodrome, he’d go up to Lunnon to Shaftesbury Avenue to the MInistry of Supply. Right about then he was a tryin’ t git tubes for his mate Alan Turing who was building a girt big puter. But they’d invented transistors the year afore and he built it with them instead. Anyhow, I used to go up t Lunnon and visit the museums, Nat Hist and the Science Museum, my favorite, and wait for him to finish work by sitting in the cartoon movie house on Trafalgar Square. Ten years later I was working at Grundy Arnott, as a blacksmith’s apprentice, making wrought iron ballustrades and the like. One job I worked on was the finials for the Admiralty Arch Gates, that you can see in the pictures here, at the end of the Mall with a Quadriga (four horses) on top. Hella cool pictures.

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